• 2017.04.27Movie Zone
  • 作者:赵洁晨 编辑: 广播台发布日期:2017-04-27浏览次数:

 

 

广播前的听众朋友们大家下午好,这里是每周四下午准时播出的Movie Zone,我是今天的主播吕雅婷。As the release of Kingsman: The Golden Circle’s trailer, many Hollywood’s blockbusters are ready for their hits. No one will know if the Avatar sequels will arrive on time, no matter what will happen, avatar’s official Facebook account said we’ll meet this franchise in Christmas of 2020,2021,2024 and 2025. After Resident Evil: The Final Chapter, another lifetime series,Pirates of the Caribbean sets its date in China in the Dragon Boat Festival, we even surprisingly saw Keira Knightley flashing across the trailer. Hollywood’s blockbusters have become a lifestyle in many people’s lives. Nevertheless, across the ocean ,Bollywood’s movies also take a place in the worldwide film industries. Take 3 idiots for example, many people consider this as the best comedy film ever because it is not only funny, but also has revealed the truth in the real world. Today I present you another Indian comedy called P.K. It might sound bizarre, yet after you seeing it, you’ll know the trick.

P. K. is a comedy of ideas about a stranger in the city, who asks questions that no one has asked before. They are innocent, child-like questions, but they bring about catastrophic answers. People who are set in their ways for generations, are forced to reappraise their world when they see it from PK's innocent eyes. In the process PK makes loyal friends and powerful foes. Mends broken lives and angers the establishment. P. K.'s childlike curiosity transforms into a spiritual odyssey for him and millions of others. The film is an ambitious and uniquely original exploration of complex philosophies. It is also a simple and humane tale of love, laughter and letting-go. Finally, it is a moving saga about a friendship between strangers from worlds apart.

《PK》堪称印度版《V字仇杀队》。年轻女记者遇上了陷落地球的外星人,从质疑到首肯,最后加入了后者挑战宗教权威的事业,他们联手击败了虚伪的大法师,赢得了民众的拥护,并留下一段无法圆满的爱恋。扮演外星人的阿米尔•汗主演过红极一时的《三傻大闹宝莱坞》,在那部电影里他尽情嘲讽了印度当代的高等教育制度,《PK》的野心更大,将全印度的宗教观念一股脑儿推上了解剖台。

A film like PK can never be made again in Hindi Film Industry because of it's vast variety of content and emotions which directly grips the audience along with the characters. With PK being made, the scale of good cinema has risen further. Rajkumar Hirani has proved that a movie with a strong content can be made with fun and comedy as well. All the characters have their own importance and every incident feels real as one can easily connect with the moments happening in the film. Direction and scripting is so good that you can not point out what mistakes are there. It might not be a perfect film but it is a much better film.

不出意外的,由于题材敏感,该片被印度领导人呼吁禁止,但所向披靡的票房成绩证明了观众对它的热爱,阿米尔·汗本人就是伊斯兰教徒,但伊斯兰教也在该片的嘲讽范围之内。这显示了他立场的超脱,也反映出他在艺术上的一丝不苟。就像他不在意拿自己开玩笑,天生的一副招风耳,在女记者眼里竟成了外星人的特征。

The foundation of this film is the struggle of someone to come to terms with the failed promises of religion. And it's really funny. I saw it the second time in a nearly sold-out cinema and people were applauding some of the most pointed critiques of religious practice - not because they were anti-religious - but because it was pro-human.

There are some really funny moments in this movie, like Aamir trying to bring wine into a mosque had the entire audience laughing. Again, not because it was making fun of Muslims, but because of how clueless the character PK is. It's also heartbreaking. And as I've been digesting this movie over the past day or so , I realize that the artistic choices to break our hearts in the way this movie does was incredibly well done. It's so sudden and unexpected that it's perfect for the story line and the social point they are making.

Even the ending is really astonishing. Aamir is just staring at a shoe in his hand, and yet, what is happening around him is creating so much tension. And you know how it's going to end, but that doesn't make you any less tense hoping that it will end how you want it to. They built the tension up and released it perfectly and Aamir's performance, as understated as it was.

影片能赢得众多教徒观众的喜爱,在于它所反对的并不是宗教信仰本身,毕竟PK也承认在他最绝望无助的时候,拥有信仰是多么重要的生存动力;影片所嘲讽的,是那些以宗教作为工具,欺世盗名、聚敛财富、互相仇视乃至用炸弹剥夺生命的恶徒,以及一叶障目、盲目崇拜的信徒们。

P.K' raises questions upon God, God-Men & Religion. I'm an atheist {[ˈeɪθiɪst]无神论者} and I could connect with the protagonist's fight against the "almighty" to a great extent. The film has moral as well as a terrific message, that will leave this godly world we live in, rather stunned. this story offers moments of pure hilarity, subtle romance, tuneful songs & hard-hitting drama.

The director’s screenplay is excellent. P.K's journey on earth, will leave you in splits. His voice against the God-Men, are clap-worthy, while his Romance with his human girlfriend, is cute. What's truly funny, is that, P.K, an alien, looks far more sorted & normal in comparison to the human characters. And that's Hirani's genius! He delivers a story about our fears & flaws & he executes it remarkably. On the other hand, Hirani's Direction is simple, yet effective. Cinematography & Editing are perfect. Music by Various Artists is tuneful. Visual Effects are decent. Make-Up is nicely done.

PK无疑是阿米尔•汗塑造的另一经典银幕形象。他的眼神清澈,神情呆萌,思维怪诞,举止滑稽,但这怪诞和滑稽中透出强者的坚韧、智者的胸怀。影片开场,他就像一个装在成年人身躯里的孩子,赤条条来到世上,被光怪陆离弄得摸不着头脑。他有着初生婴儿般的纯真,却不像稚童那样容易被洗脑,他常怀良善之心,又拥有绝顶智慧,他个头矮小,内心却宽广无边,他不会被拉进世俗的泥沼,倒能用三言两语点化世人。PK对于一切观众习以为常却不合常理之事,发出了尖锐的质问,他的思维方式有一种特殊的感染力,促使观众以前所未有的角度看待生活,收获启发。

There are several inspiring dialogue in this film .As you sit in a small town in a small alley in a small house of yours. God does not want to protect from you, God can protect himself. " "Father not tell you to get the milk to pour it, while the other kids are hungry." "There is no sign of any discrimination that young people need religion"."You have created God or God created you."PK suspects that Tapasvi and other godmen must be dialling a "wrong number" to communicate with God, and are therefore advising the public to engage in meaningless rituals. Jaggu encourages the public to expose the fake godmen, by sending their videos to her news channel. This "wrong number" campaign turns into a popular mass-movement to the shock of Tapasvi. Meanwhile, Bhairon finds the thief and contacts PK, telling him that he sold his remote control to Tapasvi, after which PK realizes that Tapasvi was actually a fraud all along and that it wasn't a "wrong number". Bhairon then informs him that they will come to Delhi, but both die in a terrorist attack. The terrorist attack is later declared by Tapasvi's group to be stated as protecting their Gods. All the plots leads to its finale destination: what is the truth, and what is role that the religion can play.

为什么有了真神,还要对雕像发出祈祷?为什么人们对爱和钱财态度不同?这些都是我们10岁之后就停止发问的。成年后,我们的思想变得更僵化,更缺乏质疑精神。PK之所以令人觉得亲切,在于他代表了童真时的我们。曾经我们也像他一样做着荒唐事,磕磕绊绊着去了解世界的真相,但等到我们通晓了一些处世的规则后,这种能力也离我们远去了。而PK玩转了世界,也学会了说谎,却终究不改那颗赤子之心,而这理应是所有被世俗浸染的成年人所欣羡的对象。

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